This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

The fonds consists of the records of the Zoological Society of Montreal for the entirety of its existence, from 1964-2016. These records were generated in the pursuit of the Zoological Society’s goal to enhance public awareness of wildlife conservation issues through speakers, film screenings, field trips, special events, and large projects. The records also reflect the Society's charity to zoological, ecological and conservation causes. The administration of the Society, its interactions with its members, and its projects and events are documented through minutes, correspondence, communications, published articles, financial documents, reports, and proposals. The Society’s interests and activities are also reflected through books, objects from their offices, audio and video materials, and 5243 photographs, most of which are stored in photo albums. The fonds also contains the records of the Zoological Society of Canada, which were created to administer the Canadian Society similarly to the Montreal Society, with the goal of expanding the organization’s reach nationally.

The fonds is comprised of the following series: 1) Activities (1965-2013); 2) Administration (1964-2016); 3) Artifacts (1980-2004); 4) Books (1967-1991); and 5) Newsletters (1967-2016).

Copy of a photographic portrait of Bovey (ca 1908), and a certificate from McGill dated 1893.

The fonds consists chiefly of architectural drawings, photographs, reports, and other records relating to Erickson's architectural projects in the Middle East. Beginning in 1975, Erickson undertook some forty projects in the Middle East, most of them large-scale public projects. He created masterplans and designed universities, museums, office buildings, residential complexes and diplomatic compounds in the United Arab Emirates, Kuwait, Jordan, Saudi Arabia, Iraq and Syria, among others. Some were built, others remained at a competition and project stage. Most provide an important insight into the challenges of designing buildings and cities in an environment and culture radically different from our own. The materials document Erickson's involvement with building projects in the Middle East. Erickson's concern for bold masses, indigenous forms and contextuality can be seen in designs for the Islamic University of Madinah in Saudi Arabia (1983) and the Abu Nuwas Conservation and Development Project in Baghdad, Iraq (1981). These designs are better understood as small-scale cities rather than buildings and reflect Erickson's humanist approach to the problems of Modern design. The majority of the architectural drawings in the fonds date from 1976 to 1986 and include 1,468 multimedia drawings. These include drawings for over a dozen Middle East competitions and projects such as designs for the Islamic University of Madinah, Saudi Arabia (1983), King Faisal Air Force Academy and Mosque in Al Kharj (1980) and the Etisalat Headquarters in Abu Dhabi, United Arab Emirates (1986). An additional seventeen drawings were created before 1950 and include nine drawings for an office building and eight drawings for an arts centre for Vancouver. These executed while a student at the McGill School of Architecture. The fonds also contains 102 photographs and 26 slides also dating between 1976 and 1986 as well as 4 three-dimensional scale models. These models are for the Islamic University of Madinah (1983), the Abu Nuwas Conservation and Development Project (1976), Sancst Science Halls (1981) and Etisalat Headquarters (1986). The fonds also contain competition submissions and project development documentation (1976-1987), bound in 43 volumes. Nine copies of three published books also included contain surveys of Erickson's work and career. The fonds also contains Erickson's correspondence and other papers, as well as some projects from his student years.

Le fonds se compose principalement de dessins d'architecture, de photographies, de rapports et d'autres documents relatifs aux projets architecturaux d'Erickson au Moyen-Orient. Ces documents témoignent de l'implication d'Erickson dans des projets de construction au Moyen-Orient. L'intérêt d'Erickson pour les masses audacieuses, les formes indigènes et la contextualité se retrouve dans les projets de l'Université islamique de Médine en Arabie saoudite (1983) et du projet de conservation et de développement d'Abu Nuwas à Bagdad, en Irak (1981). Ces projets sont davantage considérés comme des villes à petite échelle que comme des bâtiments et reflètent l'approche humaniste d'Erickson face aux problèmes du design moderne. La majorité des dessins d'architecture du fonds datent de 1976 à 1986 et comprennent 1 468 dessins multimédias. Ils comprennent des dessins pour plus d'une douzaine de concours et de projets au Moyen-Orient, tels que le plan de l'Université islamique de Médine, en Arabie saoudite (1983), l'Académie de l'armée de l'air du roi Fayçal et la mosquée d'Al Kharj (1980) ainsi que les quartiers généraux d'Etisalat à Abou Dhabi, aux Émirats arabes unis (1986). Dix-sept autres dessins ont été réalisés avant 1950, dont neuf dessins pour un immeuble de bureaux et huit dessins pour un centre d'art à Vancouver. Ces dessins ont été exécutés alors qu'il était étudiant à l'école d'architecture de McGill. Le fonds contient également 102 photographies et 26 diapositives datant également de 1976 à 1986 ainsi que 4 maquettes en trois dimensions. Quatre projets sont documentés par des maquettes tridimensionnelles : l'Université islamique de Madinah (1983), le Projet de conservation et de développement d'Abu Nuwas (1976), les Sancst Science Halls (1981) et les quartiers généraux d'Etisalat (1986). Le fonds contient également des soumissions de concours et de la documentation sur le développement de projets (1976-1987), reliés en 43 volumes. Neuf exemplaires de trois livres publiés contiennent également des études sur le travail et la carrière d'Erickson. Le fonds contient également la correspondance et d'autres documents d'Erickson.

The archives contains at this time an estimated 20 000 plans and drawings, 600 presentation boards, 500 loose sketches, 60 sketchbooks, 600 boxes of projects and office files, 80 models, 200 computer diskettes, and a representative collection of slides, photographic prints, audio-visual material, as well as a bibliographic file of primary and secondary literature. Materials are in the process of being accessioned and described.

Le fonds contient présentement environ 20 000 plans et dessins, 600 panneaux de présentation, 500 croquis, 60 carnets de croquis, 600 boîtes de dossiers de projets et de bureau, 80 maquettes, 200 disquettes d'ordinateur, une collection de diapositives représentative de son oeuvre, des photographies, du matériel audio-visuel et des dossiers bibliographiques de sources primaires et secondaires. Le matériel est en train d'être dépouillé mais n'a pas encore été décrit.

The Harold Spence-Sales fonds at McGill’s Canadian Architecture Collection primarily contains project records related to Harold Spence-Sales' career as an architect and urban planner. The bulk of the records pertain to projects that Harold Spence-Sales worked on as well as corresponding financial, administrative and office records.

The fond heavily documents projects that Harold Spence-Sales worked on during the 1970s-1980s in British Columbia and in Quebec during the 1940s-1960s. Other projects that Harold Spence-Sales worked on across Canada and internationally appear intermittently throughout the fonds. The Oromocto community planning project that Harold Spence-Sales worked on from 1955-1958 in New Brunswick is particularly well documented. Harold Spence-Sales designed Oromocto to be a military town. Before He transformed Oromocto into a military town it was a defunct 19th century shipbuilding town. The Oromocto project is considered one of Harold Spence-Sales most important urban-town planning projects.

Apart from administrative, office and project records, the fonds also contains records that relate to Harold Spence-Sales professional activities outside of his work as an architect and urban planner. For example, awards and honors that he received and records related to his involvement in architectural and urban planning associations. Additional professional activities include: his involvement in creating exhibitions, curating architectural-themed magazines and periodicals as well as copies of publications that he worked on solo and in collaboration with John Bland.

The fonds also contains fourteen boxes of Harold Spence-Sales personal records. The personal records primarily cover Harold Spence-Sales interest in art, creative pursuits, family activities, family genealogy, personal finances, last will and testaments as well as his decline in health and his death. Within the fourteen boxes that have been cataloged as personal records, there are also materials related to Harold Spence-Sales professional activities. For example, awards that Harold Spence-Sales received and records related to exhibitions and artistic projects that he worked on.

The fonds contains the majority of the drawings and papers of Montreal architect and landscape architect John Schreiber, who was a professor in the School of Architecture at McGill from 1953 to 1987. These documents constitute a rich treasure of original design work, expressed in draughtsmanship of great virtuosity. John Schreiber’s work is an example of the contribution to Canadian architecture and landscape architecture of a generation of Europeans who, leaving that war-shattered continent in the late forties and fifties, found an appreciative and fertile ground for their talents and ambitions in Canada. The two hundred and thirty four projects represented in the Schreiber fonds span half a century of work and are documented in more than four thousand plans and drawings, hundreds of photographs and close to six linear metres of textual files.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.

Collection consists chiefly of an album of photographs and clippings compiled by Cecile (Burroughs) Masson. Captions date the photographs to between 1915 and 1940, with one earlier photograph from 1883 that depicts Cecile and Rodrigue Masson's wedding. Many of the personal photographs depict members of the Masson family taken in Terrebonne, Quebec (where the Masson family home was located), in Ottawa, and during travels to Italy, London, the south of France. There are 28 leaves of full page plates of travel photographs from France, Italy, and Africa. Also included in the album are postcards and newspaper clippings. One series of postcards depicts architecture in Terrebonne, Quebec. The clippings include a letter to the editor written by L. R. Masson (Mrs. L. A. Globensky) and published in the Montreal Star, 1939. Other clippings relate to the S-Plan, a bombing campaign by the Ireland Republic Army, in 1939, as well as the British royal family. The album is half bound in faux black morocco and pebbled cloth boards with the initials C. M. stamped in gilt on the front cover. A caption at the head of the second leaf reads "This album is for mother from Grace", with "mother" crossed out. An inscription on the first leaf reads "This is for my dear daughter Cecile. Many happy memories of the past - affectionately from Mother." The collection also includes two loose black and white photograph portraits, one of which is inscribed to Aunt Cecile.

Collection consists of an album of travel photographs (chiefly black and white, with some colour). Captions date the photographs to between 1946-1956 and then to between 1989-1994. The captions also include information about the photographs themselves. The first portion of the album contains photographs taken in Niagara Falls, Manitoulin Island, northern Ontario, Bermuda, the Maritime provinces, and the United States, including Howe Caverns, Fort Williams, New York, Yellowstone National Park, Plymouth Rock, Washington, New Orleans, and Mackinac Island, dated between 1946 and 1956. The second portion contains photographs dated from 1898-1994 and documents travel to Israel, Albania, the former Yugoslavia, Russia, Estonia, England, Greece, Costa Rica, Laos, Vietnam, Cambodia, and Ukraine. The album is cloth bound in blue with the title "Snaps" in black with painted tulips.