The file is a binder. The binder contains thirteen pages of slide-transparencies. Some of the slides are annotated with an order schema.

The file also includes a UPS parcel shipping order dated October 11th 2012. The order states that that the contents of the parcel are pictures of Harold Spence-Sales slides and other materials.

The order was sent to 815 Sherbrook Street West Montreal; McGill's School of Urban Planning. The person who received the package was Dr. Raphael Fischler.

The file represents a box. The box contains an assortment of magazines. However, The most recurring titles are l’ARCA, and Architecture and Urbanism.

The magazines in the box have been placed in alphabetical order.

The file contains an interview that Harold Spence-Sales had regarding his Vancouver landscape project as well a profile article about Mary Filer: Topic home of three western Canadian Artists. The file also contains several news paper articles about Harold Spence-Sales death including an obituary from McGill.

The file primarily contains concept and development booklets for many of the development projects carried out by Genstar: Tod Inlet, South Surrey Center, and Castle Downs.

The file contains correspondence between Harold Spence-Sales and Michael Findlay. Findlay, primarily asked Spence-Sales, for details about his career. Spence-Sales sent Findlay his resume and answered his questions about getting started in Architecture.

The file contains two maps. The topic of the maps are the Pacific Ocean and Canada.

The file represents a box. The box contains the following magazines and periodicals:

12 booklets titled, “The Language and Median of Architecture” by Moshe Safdie November 1989.

The magazines in the box have been placed in alphabetical order.

2 booklets from the Montreal Museum of Fine Arts about an Exhibit the Jean Noel Desmarais Pavillion designed by Moshe Safdie.

7 Copies of Process Architecture No. 56 1970 (Japanese Magazine) [Moshe Safdie featured].

4 copies Architecture of Israel 8 (reprinted in Quarterly of Architecture and Interior Design) “Moshe Safdie Architect".

10 copies Architectural Record Business Design A McGraw-Hill Publication, October 1998 [Safdie featured].

6 copies Architectural Record Business Design A McGraw-Hill Publication, November 1983.

7 copies Architectural Record Business Design A McGraw-Hill Publication, April 1978.

4 copies Architecture Incorporating architectural Technology August 1996.

2 Copies Harvard Magazine, “Grade Inflation: Does it Matter?” May-June 1993.

4 copies The Canadian Architect: A Southham Business Publication, March 1999.

1 copy The Canadian Architect: A Southham Business Publication, July 1992.

4 copies Maclean’s: Canadas Weekly Magazine 1998. “Triumph of an Outcast: Canadian Architect Moshe Safdie Inside his New National Gallery, 1 copy Architectural Digest May 1999.

The magazines in the box have been placed in alphabetical order.

The file contains two copies of a proposal sent to Harold-Spence-Sales and Mary Filer from UD+D LTD regarding the designs for their rooftop gallery at the 1107 West 7th Avenue Property.

The file contains a copy of Humphrey Carvers Memorial booklet. The booklet was compiled after Carvers death. The booklet contains the funeral-memorials schedule hymns and prayers that were said as well as transcripts of speeches, obituaries and a letter written about funerals by Carver himself and he he envisioned his own. The file also includes some news paper obituary cutouts about Carver and a letter from carvers son Peter telling him about the booklet and how and others thought that Harold Spence-Sales might like a copy. The file also contains an envelope which appears to be have a hand written letter of correspondence from members of Carvers family to Harold Spence-Sales about Humphreys passing.

File consists of various kinds of indexed records for projects that Moshe Safdie worked on. For example, materials that Safdie used to design a project, box locations that state where the materials can be found and where the records for the project ended up. The binder is full of plastic tabs. Each tab contains a handwritten label that correlates with the title of a project that Safdie worked on.