This series consists of personal correspondence between Farkas and other artists/poets. Both electronic and handwritten mail are present in the files.

This series consists of poems written by Endre Farkas. Many of them are sorted alphabetically. All documents relating to other poets and poetry-related endeavours. Newsletters and bulletins from the Montreal Poets’ Information Exchange are also included.

This series consists of poems translated by Endre Farkas into English and French. A large portion of this translations are of a Hungarian poet named Bari Karoly, with whom Farkas was good friends.

This series consists of all materials pertaining to Endre Farkas’ and other artists’ play company.

This series consists of photographs, posters, and advertisements for Endre Farkas’ plays and associated artists. It also includes maps from Farkas’ trip to Budapest.

This series consists of manuscripts written by Farkas, both drafts and final copies. These manuscripts include Chance Takes, Murders, Face Off/Mise au Jeu, Surviving Wor(l)ds, Blood is Blood, How To, Never Again, Szerbusz, Life Till The Next Morning, Romantic at Heart and Other Faults, Language Cops, This Wind, and Katie the Collector.

This series consists of reviews of Endre Farkas’ books, plays and performances.

This series consists of scripts written by Endre Farkas for plays that were performed live. These scripts include The Haunted House, Murders, A Minute to Go, The Heart of the Matter, Midnight Jazzing, I Love You Je T’aime, The Every Day, No More Easy Love Poems, Voices, Time, and Circus of Words.

This series consists of materials that relate to the group of poets that Endre Farkas was associated with called the Cabaret Vehicule Poets.

This series consists of works by other authors, both translated and not translated.